MORK ~ crack/serial/keygen

The MORK VST plugin was developed to be an analog-style synth that can be used to create soundtrack-type sounds. Deep, low PAD's or spacy melodies. It can also produce convincing storm-sounds

MORK is pronounced "morgue" with a deep bassy voice, long "o" & evil-dracula-articulation of the "k"


Download MORK Crack

Software developer
Grade 3.1
437 3.1
Downloads count 4310
File size < 1 MB
Systems Windows All


- The Sine/Noise-switch selects the waveform of the secund oscillator

- The MIX-knob sets the mix of the 2 oscillators (fully counterclockwise= only oscillator 1, fully clockwise= only oscillator2)

- The DETUNE-knob detunes oscillator 2

- The OCTAVE- and SEMITONE-selectors affect the pitch of oscillator 2

- The BENDRANGE-selector effects the range of the pitch-wheel for both oscillators

- PORTAMENTO changes the portamento-time (glide between notes) for both oscillators

- the ATTACK, DECAY, SUSTAIN, RELEASE-knobs control the VCA (volume)

- The 8 sliders control the delays. There's 4 delays on the left channel & 4 on the right

(The delay-times & repeats are fixed, the sliders control the mix of each delay)

- The AFFECT-knob sets the overall mix of all 8 delays.

- FUZZ increases the distortion of the fuzz.

(The fuzz-effect is very velocity-sensitive & therefor highly responsive to playing-dynamics. Sinths the fuzz-circuit is hooked up after the delays, you can have it set to where only some of the repeats are distorted)

- The FUZZ-MIX sets how much the fuzz-circuit affects the signal.

- The RECTIFY-button rectifies the signal coming from the delays & is hooked up before the fuzz.

- The High Pass/Low Pass-switch selects the filter-type

- CUTOFF controls the cutoff-frequency of the filter

- RES controls the resonance of the filter

- MIX controls the dry/wet-mix of the filter

- VOLUME controls the overall-volume of the MORK Serial